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Issue 5.2, December 2022 | ISSN 2561-5629
Special Issue: Short-Form Horror: History, Pedagogy, and Practice
Guest Editors: Sonia Lupher and Alanna Thain
Editor: Kristopher Woofter | Assistant Editor: Eva Crocker
Founding Editors: Mario DeGiglio-Bellemare & Kristopher Woofter
Special Issue: Short-Form Horror: History, Pedagogy, and Practice
Guest Editors: Sonia Lupher and Alanna Thain
Editor: Kristopher Woofter | Assistant Editor: Eva Crocker
Founding Editors: Mario DeGiglio-Bellemare & Kristopher Woofter
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Editor's Introduction to MONSTRUM 5.2
MONSTRUM 5, Issue 1, presents three essays and an interview, as well as a special feature publication of the first in our "Horror Reverie" series of symposia on key horror films. In the first of our feature essays, Mikaela Bobiy takes an embodied psychoanalytical approach in discussing the importance of "unconscious communication" to David Cronenberg's The Dead Zone. With Videodrome coming out the same year, it is easy to overlook Cronenberg's masterful adaptation of Stephen King's novel, and Bobiy's analysis of the film's breakdown of conscious and unconscious realities—following from her Winter 2019 lecture on the film for the MMS course "A Year in Horror: 1983"—is an insightful take on a Cold War film that eerily prefigures the current political era in the US and abroad. Jeffery Klaehn's feature interview with Soren Narnia, author and producer of the horror podcast Knifepoint Horror, follows with an in-depth discussion of Narnia's incisive brand of transmedial supernatural horror.
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Gary D. Rhodes's essay "Selling Bela Lugosi" delves into the popular-culture legacy of Lugosi's performance of Dracula, and how the advertising industry both drew upon and helped to develop that legacy. In this year's SCMS Horror Studies SIG award-winning essay, Qian Zhang compares the experiential use of repetition and duration in Jennifer Kent's popular film The Babadook (2014) to that of Chantal Ackerman's earlier film Jeanne Dielman, 23 Commerce Quay, 1080 Brussels (1975), finding in Kent's film a maternal time that alludes to and extends the earlier film's avant-garde evocation of women's time.
February 2022 marks the first time Monstrum has incorporated a video symposium as part of our regular publication. Featuring an introductory essay by horror scholar Cristina Massaccesi, "Horror Reverie 1: An Online Symposium Celebrating 100 Years of Nosferatu" is the first in a series of our online symposia on horror films that have made an impact on the horror genre, its fandom, and its scholarship. We present the symposium in video format with full transcripts available in the Appendix to the issue. Thanks to Gary D. Rhodes and Mark Jancovich for their support in this initiative. |
Monstrum 5.1 also features five book reviews that we hope will inspire our readers with new scholarship on paranormal reality TV, popular vampire literature, representations of Satan and evil in the cinema, the Southeast Asian pontianak figure and cinemas of decolonization, and, finally, J. Sheridan LeFanu, the elusive author of Carmilla and other classic horror tales.
All content is available in downloadable PDFs. Scroll down below to browse the contents of this issue of Monstrum. Thank you for reading!
— Kristopher Woofter
Contributors to Monstrum 5.1: Mikaela Bobiy, Kevin Chabot, Ian Clark, Zachary Doiron, Jeannette Goon, Jeffery Klaehn, Cristina Massaccesi, Gary D. Rhodes, Anne Young, Qian Zhang, and the panelists for 'Horror Reverie 1': E. Elias Merhige, Stephen Bissette, John Edgar Browning, Steve Choe, Mario DeGiglio-Bellemare, Argyle Goolsby, Lokke Heiss, Murray Leeder, Sorcha Ní Fhlainn, and Milly Williamson.
Acknowledgments: Monstrum would like to thank Brigid Cherry, Will Dodson, Ildikó Glaser-Hille, Steven Greenwood, Adam Lowenstein, Sonia Lupher, Sydney Sheedy, Robert Singer, Will Straw, Alanna Thain, Ishita Tiwary, Erica Tortolani, Ayesha Vemuri, Johnny Walker, Rick Worland, Horror Reverie Co-organizers and co-founders Gary D. Rhodes and Mark Jancovich, and the Collective for Research on Epistemologies and Ontologies of Embodied Risk (CORÉRISC).
Cover image credit: Nosferatu (1922, directed by F.W. Murnau)
Monstrum is supported by an editorial board of respected scholars in horror and related fields. We thank our collaborators, contributors and peer reviewers.
Monstrum is published by the Montréal Monstrum Society (MMS). We are grateful for the generous support of the Fonds de recherche du Québec - Société et culture (FRQSC). | Monstrum est reconnaissant du généreux soutien du Fonds de recherche du Québec - Société et culture (FRQSC).
All content is available in downloadable PDFs. Scroll down below to browse the contents of this issue of Monstrum. Thank you for reading!
— Kristopher Woofter
Contributors to Monstrum 5.1: Mikaela Bobiy, Kevin Chabot, Ian Clark, Zachary Doiron, Jeannette Goon, Jeffery Klaehn, Cristina Massaccesi, Gary D. Rhodes, Anne Young, Qian Zhang, and the panelists for 'Horror Reverie 1': E. Elias Merhige, Stephen Bissette, John Edgar Browning, Steve Choe, Mario DeGiglio-Bellemare, Argyle Goolsby, Lokke Heiss, Murray Leeder, Sorcha Ní Fhlainn, and Milly Williamson.
Acknowledgments: Monstrum would like to thank Brigid Cherry, Will Dodson, Ildikó Glaser-Hille, Steven Greenwood, Adam Lowenstein, Sonia Lupher, Sydney Sheedy, Robert Singer, Will Straw, Alanna Thain, Ishita Tiwary, Erica Tortolani, Ayesha Vemuri, Johnny Walker, Rick Worland, Horror Reverie Co-organizers and co-founders Gary D. Rhodes and Mark Jancovich, and the Collective for Research on Epistemologies and Ontologies of Embodied Risk (CORÉRISC).
Cover image credit: Nosferatu (1922, directed by F.W. Murnau)
Monstrum is supported by an editorial board of respected scholars in horror and related fields. We thank our collaborators, contributors and peer reviewers.
Monstrum is published by the Montréal Monstrum Society (MMS). We are grateful for the generous support of the Fonds de recherche du Québec - Société et culture (FRQSC). | Monstrum est reconnaissant du généreux soutien du Fonds de recherche du Québec - Société et culture (FRQSC).
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Click this link to download a single PDF of MONSTRUM 5.1 in its entirety.
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FEATURES
Click the images for a full-text PDF of the individual essays.
THE DEAD ZONE (David Cronenberg, 1983)
Sensory Overload: Unconscious Communication
and Inter-personal Psychosis in David Cronenberg's The Dead Zone MIKAELA BOBIY |
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SPECIAL FEATURE
HORROR REVERIE 1: AN ONLINE SYMPOSIUM CELEBRATING 100 YEARS OF NOSFERATU
HORROR REVERIE 1: AN ONLINE SYMPOSIUM CELEBRATING 100 YEARS OF NOSFERATU
NOSFERATU (F.W. Murnau, 1922)
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INTRODUCTION
Nosferatu: A Glacial Blast of Air Still Blowing from the Beyond CRISTINA MASSACCESI Click the image or here for a full-text PDF of the Introduction.
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Panel 1: The Legacy of Nosferatu
Speakers: E. Elias Merhige, Stephen Bissette, Argyle Goolsby Chair Gary D. Rhodes |
Panel 2: Historical and Other Contexts
Speakers: Steve Choe, Lokke Heiss, Murray Leeder, Milly Williamson Chair: Erica Tortolani |
Panel 3: Style, Theme, Politics, Aesthetics
Speakers: John Edgar Browning, Mario DeGiglio-Bellemare, Sorcha Ní Fhlainn; Chair: Robert Singer |
BOOK REVIEWS
Click the book cover for a PDF of the review.
Ghost Channels: Paranormal Reality Television and the Haunting of Twenty-First Century America
by Amy Lawrence University Press of Mississippi, 2022 US$30 (pbk) Reviewer:
KEVIN CHABOT |
The Symbolic Potential of the Hybrid: Anita Blake and Horror and Vampire Literature
by Virginia Fusco Peter Lang, 2021 US$67.95 (h/c) Reviewer:
IAN CLARK |
Giving the Devil His Due: Satan and Cinema
Edited by Jeffrey Andrew Weinstock and Regina M. Hansen Fordham University Press, 2021 US$30 (pbk) Reviewer:
ZACHARY DOIRON |
Alluring Monsters: The Pontianak and Cinemas of Decolonization
by Rosalind Galt Columbia University Press, 2021) US$35 (pbk) Reviewer:
JEANNETTE GOON |
Joseph Sheridan LeFanu (Gothic Authors: Critical Revisions)
by Aoife Mary Dempsey University of Wales Press, 2022 US$88 (h/c) Reviewer:
ANNE YOUNG |
