MONTRÉAL MONSTRUM SOCIETY / SOCIÉTÉ MONSTRUM DE MONTRÉAL
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    • Course Archive >
      • Fall 2022 >
        • F 2022 - Mischief Night Screening
        • F 2022 - Women's Horror Cinema on the Festival Circuit
      • W2022 - Corporalités horrifiques et abjections matérielles
      • 2020-2021 Courses >
        • F2021 - Gothic Excursions
        • Pandemics, Possessions, Alterities (Winter 2021)
        • Selling Silence in Contemporary Horror (Fall 2021)
        • Championing the Horror Sequel (Fall 2021)
      • 2018-2019 Courses >
        • F2019 Courses >
          • Tracing the Gothic in the Films of Paul Almond
          • Time-Loop Horror
          • Horror in Animation Cinema
      • 2017-2018 Courses
  • Horror Reverie Symposia
    • Horror Reverie 1 - Nosferatu
    • Horror Reverie 2 - Exorcist
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A peer-reviewed journal of studies in horror and related areas.
​Francais au-dessous
Monstrum Editorial
Editor-in-Chief:
​Assistant Editor:
Editorial Intern

​Founding Editors:
Kristopher Woofter
Eva Crocker
Marcus Prasad
​Mario DeGiglio-Bellemare and Kristopher Woofter

About the Journal | À propos de la Revue​
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MONSTRUM (ISSN 2561-5629) is a bi-annual, open-access academic journal publishing original, peer-reviewed scholarship in horror and related areas, in English or French, by developing and established scholars working on cinema, television, literature, media studies, popular culture, genre, philosophy, cultural studies, and other fields.

The journal is published by the Montréal Monstrum Society, which grew out of a community of scholars and fan-scholars in Montréal and abroad. There is no submission or publication fee for authors. MONSTRUM is indexed in the Directory of Open Access Journals (DOAJ) and Érudit. For more information, please CONTACT US.


To submit an essay proposal or draft, or a book review, see the Submissions page.
MONSTRUM (ISSN 2561-5629) est une revue scientifique semestrielle et libre d’accès, dédiée à la publication d’essais sur l’horreur et autres recherches connexes, en anglais et en français. De plus, Monstrum vise à encourager le développement de chercheurs travaillant en cinéma, en télévision, en littérature, en études médiatiques, en culture populaire, en genre, en philosophie, en études culturelles, et autres champs de recherche. La revue est associée au Montréal Monstrum Society, qui lui-même découle d’une communauté de chercheurs professionnels et amateurs basés à Montréal, comme à l’étranger. Il n'y a pas de frais de soumission ou de publication pour les auteurs. MONSTRUM est inscrite à la Directory of Open Access Journals (DOAJ) et Érudit. Pour plus d’information, veuillez NOUS CONTACTER.
 

Pour soumettre une proposition d’essai ou une critique de livre, voir la page Soumissions.

​Monstrum Editorial Advisory Board
Stacey Abbott, PhD, Emerita Professor of Film and Television Studies, Roehampton University, UK
Mikaela Bobiy, PhD, Dawson College, Montréal, Québec, Canada
Mark Bould, PhD, Reader in Film and Literature, University of the West of England - Frenchay Campus, Bristol, UK
Steven Bruhm, PhD, Professor, Western University, London, ON, Canada
​Brigid Cherry, PhD, Senior Lecturer, Media Arts, St. Mary’s University, Twickenham, London, UK
Will Dodson, PhD, University at North Carolina, Greensboro, USA
Éric Falardeau, Écrivain, Doctorant en communications, Université du Québec à Montréal (UQAM), Canada
Marcie Frank, PhD, Professor, English, Concordia University, Montréal, Québec, Canada
Anne Golden, M.F.A., John Abbott College, Montréal, Québec, Canada
Barry Keith Grant, PhD, Professor Emeritus, Faculty of Social Sciences, Brock University, Saint Catherines, ON, Canada
David Hanley, Doctoral Candidate (ABD), Carleton University, Ottawa, Canada
Alexandra Heller-Nicholas, PhD, co-editor of Senses of Cinema; Research Fellow,  Swinburne University of Technology, Australia
Karen Herland, M.A., Concordia University, Montréal, Québec, Canada
Mark Jancovich, PhD, University of East Anglia, Norwich, UK
Lorna Jowett, PhD, Reader in Television Studies, University of Northampton, UK
Simon Laperrière, Doctorant en études cinematographiques, Université de Montréal, Canada
Murray Leeder, PhD, Adjunct Professor, University of Manitoba
Adam Lowenstein, PhD, Professor, English and Film/Media Studies, University of Pittsburgh, USA
Patricia MacCormack, PhD, Professor of Continental Philosophy; Department of English, Communication, Film and Media; Anglia           
​          Ruskin University, Cambridge, UK
Jerry D. Metz, PhD, University of Maryland, College Park, USA
Rebecca Million, M.A., Dawson College, Montréal, Québec, Canada
Ian Olney, PhD, Associate Professor of English, York College of Pennsylvania, USA
Susanna Paasonen, PhD, Professor, Media Studies, University of Turku, Finland
Bernard Perron, PhD, Professeur titulaire, Département d'histoire de l'art et d'études cinématographiques, Université de
          Montréal, Canada
Gary D. Rhodes, PhD, MA Convener for Film Studies, The Queen's University, Belfast, Northern Ireland
Ned Schantz, PhD, Associate Professor, English and Cultural Studies, McGill University, Montréal, Québec, Canada
Carl Sederholm, PhD, Professor, Brigham Young University, Provo, UT, USA
Virginie Selavy, PhD, Founder and Editor, Electric Sheep: The Online Magazine for Transgressive Cinema, UK
Christopher Sharrett, PhD, Professor of Film Studies, Seton Hall University, New Jersey, USA
Jay Shea, PhD, Dawson College, Montréal, Québec, Canada

Phil Simpson, PhD, Provost, Eastern Florida State College, USA
Will Straw, PhD, James McGill Professor of Urban Media Studies, McGill University, Montréal, Québec, Canada
Alanna Thain, PhD, Associate Professor, English and Cultural Studies, McGill University, Montréal, Québec, Canada
Johnny Walker, PhD, Senior Lecturer in Media, 
Department of Arts, Northumbria University, UK
Annaëlle Winand, Candidate au doctorat, École de bibliothéconomie et des sciences de l'information, Université de Montréal,
​          Canada
Rick Worland, PhD, Professor, Film & Media Arts, Meadows School of the Arts, Southern Methodist University, Dallas, TX, USA


Monstrum is part of the Collective for Research on Epistemologies and Ontologies of Embodied Risk (CORÉRISC) and is grateful for the generous support of the Fonds de recherche du Québec - Société et culture (FRQSC). / Monstrum est partie du collectif de recherche sur les épistémologies du risque incarné (CORÉRISC) et est reconnaissant du généreux soutien du Fonds de recherche du Québec - Société et culture (FRQSC). ​
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Journal Home
Translation by / Traduction par Ariel Esteban Cayer
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​This work is licensed under a Creative Commons Attribution 4.0 International License.
The journal name MONSTRUM is a registered trademark, © Montréal Monstrum Society / Société Monstrum de Montréal (MMS) (2022). ​​

  • Home
    • About the Society / Info
    • MMS Research
  • Journal / Revue
    • Issue Archive >
      • MONSTRUM v5 n2 (December 2022)
      • MONSTRUM v5 n1 (June 2022)
      • MONSTRUM v4 (2021)
      • MONSTRUM v3 (2020/21)
      • MONSTRUM v2 (2019)
      • MONSTRUM v1 (2018)
    • Editorial / de la rédaction
    • Special Issue CFPs
    • Submissions / soumissions
    • Copyright / droits d'auteurs
  • Courses / Cours
    • Quick Cuts: Essais Video Essays
    • April 24 2023 - Circutries of Subjectivity
    • Mai 1 2023 - Vies d'horreur ...
    • Course Archive >
      • Fall 2022 >
        • F 2022 - Mischief Night Screening
        • F 2022 - Women's Horror Cinema on the Festival Circuit
      • W2022 - Corporalités horrifiques et abjections matérielles
      • 2020-2021 Courses >
        • F2021 - Gothic Excursions
        • Pandemics, Possessions, Alterities (Winter 2021)
        • Selling Silence in Contemporary Horror (Fall 2021)
        • Championing the Horror Sequel (Fall 2021)
      • 2018-2019 Courses >
        • F2019 Courses >
          • Tracing the Gothic in the Films of Paul Almond
          • Time-Loop Horror
          • Horror in Animation Cinema
      • 2017-2018 Courses
  • Horror Reverie Symposia
    • Horror Reverie 1 - Nosferatu
    • Horror Reverie 2 - Exorcist