MONTRÉAL MONSTRUM SOCIETY / SOCIÉTÉ MONSTRUM DE MONTRÉAL
  • Home
    • About the Society / Info
    • MMS Research
  • Journal / Revue
    • Issue Archive >
      • MONSTRUM v5 n2 (December 2022)
      • MONSTRUM v5 n1 (June 2022)
      • MONSTRUM v4 (2021)
      • MONSTRUM v3 (2020/21)
      • MONSTRUM v2 (2019)
      • MONSTRUM v1 (2018)
    • Editorial / de la rédaction
    • Special Issue CFPs
    • Submissions / soumissions
    • Copyright / droits d'auteurs
  • Courses / Cours
    • Quick Cuts: Essais Video Essays
    • April 24 2023 - Circutries of Subjectivity
    • Mai 1 2023 - Vies d'horreur ...
    • Course Archive >
      • Fall 2022 >
        • F 2022 - Mischief Night Screening
        • F 2022 - Women's Horror Cinema on the Festival Circuit
      • W2022 - Corporalités horrifiques et abjections matérielles
      • 2020-2021 Courses >
        • F2021 - Gothic Excursions
        • Pandemics, Possessions, Alterities (Winter 2021)
        • Selling Silence in Contemporary Horror (Fall 2021)
        • Championing the Horror Sequel (Fall 2021)
      • 2018-2019 Courses >
        • F2019 Courses >
          • Tracing the Gothic in the Films of Paul Almond
          • Time-Loop Horror
          • Horror in Animation Cinema
      • 2017-2018 Courses
  • Horror Reverie Symposia
    • Horror Reverie 1 - Nosferatu
    • Horror Reverie 2 - Exorcist

Mario DeGiglio-Bellemare
Selected Publications
​

 Books
Grand-Guignol Cinema and the Horror Genre: Sinister Tableaux of Dread, Corporeality and the Senses. London: Anthem Press,
          2023. [Purchase / info.]
 

Edited Collections
DeGiglio-Bellemare, Mario, Charlie Ellbé, and Kristopher Woofter, eds. Recovering 1940s Horror Cinema: Traces of a Lost
          Decade
. Lanham, MD: Lexington Press, 2015.
 

Upcoming
---. "Monstrative Force and Short-Form Grand-Guignol in Amazing Stories’ 'Mirror Mirror.'" Neglected Scorsese. Edited by
          Philip Sipiora and Gary D. Rhodes. New York: Bloomsbury, 2023.
 

---. “At the Gates of Hell: The Baroque Weird in Lucio Fulci’s Demonia.” The Weird: A Companion. Oxford: Peter Lang. 
          
Edited by Carl H. Sederholm and Kristopher Woofter, 2023.
 
Articles and Chapters
---. “Experimental Sorcery in Tobe Hooper’s Eggshells,” in American Twilight: The Cinema of Tobe Hooper. Edited by
          Kristopher Woofter and Will Dodson, 95-105. Austin: University of Texas Press, 2021.
---. “‘The Body’ That Will Not Sit Up: Shock, Stasis, and the Negative Space of the Horror Genre.” Joss Whedon vs. the
          Horror Tradition: The Production of Genre in Buffy and Beyond
, edited by Kristopher Karl Woofter and Lorna Jowett,
          53-72. London: I.B. Tauris / Bloomsbury, 2019/2020.
---. “Lucio Fulci's Poetics of Attractions: The Cinema of Poetry and the ‘Southern Question’ in Don't Torture a Duckling.”
          Monstrum 1 (Spring, 2019). Available online:
          https://www.monstrum-ociety.ca/uploads/4/1/7/5/41753139/mdb_-_duckling_-_monstrum_1.pdf. 
---. “Dreaming Revolt: Jean Rollin and the French Fantastique in the Context of May 1968.” Global Fear: International
          Horror Film Directors
, edited by Danny Shipka and Ralph Beliveau, 191-222. Bristol, UK: Intellect Press, 2017.
---.  “Mondo Realism, the Sensual Body, and Genre Hybridity in Joe D’Amato’s Emanuelle Films.” Intensities: The Journal of
          Cult Media
(Spring, 2017). Available online: https://intensitiescultmedia.com/issue-9-spring-2017/.
---. “Val Lewton, Mr. Gross, and the Grand-Guignol: “Re-Staging” the Corpse in The Body Snatcher.” Recovering 1940s
          Horror Cinema: Traces of a Lost Decade
, edited by Mario DeGiglio-Bellemare, Charlie Ellbé, and Kristopher Woofter,
          67-86. Lanham, MD: Lexington Press, 2015.
---. Val Lewton and the Grand-Guignol: Mademoiselle Fifi and Horror Canonicity.” Horror Studies 5, no. 1 (2014): 3-29.
Picture
​This work is licensed under a Creative Commons Attribution 4.0 International License.
The journal name MONSTRUM is a registered trademark, © Montréal Monstrum Society / Société Monstrum de Montréal (MMS) (2022). ​​

  • Home
    • About the Society / Info
    • MMS Research
  • Journal / Revue
    • Issue Archive >
      • MONSTRUM v5 n2 (December 2022)
      • MONSTRUM v5 n1 (June 2022)
      • MONSTRUM v4 (2021)
      • MONSTRUM v3 (2020/21)
      • MONSTRUM v2 (2019)
      • MONSTRUM v1 (2018)
    • Editorial / de la rédaction
    • Special Issue CFPs
    • Submissions / soumissions
    • Copyright / droits d'auteurs
  • Courses / Cours
    • Quick Cuts: Essais Video Essays
    • April 24 2023 - Circutries of Subjectivity
    • Mai 1 2023 - Vies d'horreur ...
    • Course Archive >
      • Fall 2022 >
        • F 2022 - Mischief Night Screening
        • F 2022 - Women's Horror Cinema on the Festival Circuit
      • W2022 - Corporalités horrifiques et abjections matérielles
      • 2020-2021 Courses >
        • F2021 - Gothic Excursions
        • Pandemics, Possessions, Alterities (Winter 2021)
        • Selling Silence in Contemporary Horror (Fall 2021)
        • Championing the Horror Sequel (Fall 2021)
      • 2018-2019 Courses >
        • F2019 Courses >
          • Tracing the Gothic in the Films of Paul Almond
          • Time-Loop Horror
          • Horror in Animation Cinema
      • 2017-2018 Courses
  • Horror Reverie Symposia
    • Horror Reverie 1 - Nosferatu
    • Horror Reverie 2 - Exorcist