Mario DeGiglio-Bellemare
Selected Publications
Books
Grand-Guignol Cinema and the Horror Genre: Sinister Tableaux of Dread, Corporeality and the Senses. London: Anthem Press,
2023. [Purchase / info.]
Edited Collections
DeGiglio-Bellemare, Mario, Charlie Ellbé, and Kristopher Woofter, eds. Recovering 1940s Horror Cinema: Traces of a Lost
Decade. Lanham, MD: Lexington Press, 2015.
Upcoming
---. "Monstrative Force and Short-Form Grand-Guignol in Amazing Stories’ 'Mirror Mirror.'" Neglected Scorsese. Edited by
Philip Sipiora and Gary D. Rhodes. New York: Bloomsbury, 2023.
---. “At the Gates of Hell: The Baroque Weird in Lucio Fulci’s Demonia.” The Weird: A Companion. Oxford: Peter Lang.
Edited by Carl H. Sederholm and Kristopher Woofter, 2023.
Articles and Chapters
---. “Experimental Sorcery in Tobe Hooper’s Eggshells,” in American Twilight: The Cinema of Tobe Hooper. Edited by
Kristopher Woofter and Will Dodson, 95-105. Austin: University of Texas Press, 2021.
---. “‘The Body’ That Will Not Sit Up: Shock, Stasis, and the Negative Space of the Horror Genre.” Joss Whedon vs. the
Horror Tradition: The Production of Genre in Buffy and Beyond, edited by Kristopher Karl Woofter and Lorna Jowett,
53-72. London: I.B. Tauris / Bloomsbury, 2019/2020.
---. “Lucio Fulci's Poetics of Attractions: The Cinema of Poetry and the ‘Southern Question’ in Don't Torture a Duckling.”
Monstrum 1 (Spring, 2019). Available online:
https://www.monstrum-ociety.ca/uploads/4/1/7/5/41753139/mdb_-_duckling_-_monstrum_1.pdf.
---. “Dreaming Revolt: Jean Rollin and the French Fantastique in the Context of May 1968.” Global Fear: International
Horror Film Directors, edited by Danny Shipka and Ralph Beliveau, 191-222. Bristol, UK: Intellect Press, 2017.
---. “Mondo Realism, the Sensual Body, and Genre Hybridity in Joe D’Amato’s Emanuelle Films.” Intensities: The Journal of
Cult Media (Spring, 2017). Available online: https://intensitiescultmedia.com/issue-9-spring-2017/.
---. “Val Lewton, Mr. Gross, and the Grand-Guignol: “Re-Staging” the Corpse in The Body Snatcher.” Recovering 1940s
Horror Cinema: Traces of a Lost Decade, edited by Mario DeGiglio-Bellemare, Charlie Ellbé, and Kristopher Woofter,
67-86. Lanham, MD: Lexington Press, 2015.
---. Val Lewton and the Grand-Guignol: Mademoiselle Fifi and Horror Canonicity.” Horror Studies 5, no. 1 (2014): 3-29.
Grand-Guignol Cinema and the Horror Genre: Sinister Tableaux of Dread, Corporeality and the Senses. London: Anthem Press,
2023. [Purchase / info.]
Edited Collections
DeGiglio-Bellemare, Mario, Charlie Ellbé, and Kristopher Woofter, eds. Recovering 1940s Horror Cinema: Traces of a Lost
Decade. Lanham, MD: Lexington Press, 2015.
Upcoming
---. "Monstrative Force and Short-Form Grand-Guignol in Amazing Stories’ 'Mirror Mirror.'" Neglected Scorsese. Edited by
Philip Sipiora and Gary D. Rhodes. New York: Bloomsbury, 2023.
---. “At the Gates of Hell: The Baroque Weird in Lucio Fulci’s Demonia.” The Weird: A Companion. Oxford: Peter Lang.
Edited by Carl H. Sederholm and Kristopher Woofter, 2023.
Articles and Chapters
---. “Experimental Sorcery in Tobe Hooper’s Eggshells,” in American Twilight: The Cinema of Tobe Hooper. Edited by
Kristopher Woofter and Will Dodson, 95-105. Austin: University of Texas Press, 2021.
---. “‘The Body’ That Will Not Sit Up: Shock, Stasis, and the Negative Space of the Horror Genre.” Joss Whedon vs. the
Horror Tradition: The Production of Genre in Buffy and Beyond, edited by Kristopher Karl Woofter and Lorna Jowett,
53-72. London: I.B. Tauris / Bloomsbury, 2019/2020.
---. “Lucio Fulci's Poetics of Attractions: The Cinema of Poetry and the ‘Southern Question’ in Don't Torture a Duckling.”
Monstrum 1 (Spring, 2019). Available online:
https://www.monstrum-ociety.ca/uploads/4/1/7/5/41753139/mdb_-_duckling_-_monstrum_1.pdf.
---. “Dreaming Revolt: Jean Rollin and the French Fantastique in the Context of May 1968.” Global Fear: International
Horror Film Directors, edited by Danny Shipka and Ralph Beliveau, 191-222. Bristol, UK: Intellect Press, 2017.
---. “Mondo Realism, the Sensual Body, and Genre Hybridity in Joe D’Amato’s Emanuelle Films.” Intensities: The Journal of
Cult Media (Spring, 2017). Available online: https://intensitiescultmedia.com/issue-9-spring-2017/.
---. “Val Lewton, Mr. Gross, and the Grand-Guignol: “Re-Staging” the Corpse in The Body Snatcher.” Recovering 1940s
Horror Cinema: Traces of a Lost Decade, edited by Mario DeGiglio-Bellemare, Charlie Ellbé, and Kristopher Woofter,
67-86. Lanham, MD: Lexington Press, 2015.
---. Val Lewton and the Grand-Guignol: Mademoiselle Fifi and Horror Canonicity.” Horror Studies 5, no. 1 (2014): 3-29.
